The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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Keith Kinder. Chapter 2 St. Florian 1845-55 In May 1845 Bruckner completed the final exam for assistant teachers and ... completion of the requirements for high school teachers in January 1855 ( Watson 1977 , 141 ) . However , by 1855 ...
... completion of the work in a letter to Weinwurm dated Dec- ember 2 , 1866 : " The Mass for eight - voice chorus with wind instrument accompaniment , for the consecration of the Votive Chapel is completed " ( Göllerich / Auer 1974 , III ...
... completed this short work on April 29 , 1892. It was intended for the inaugural German Academic Songfest held in Salzburg , and was first performed in that city on Whitsunday , June 5 , 1892 , by a massed choir directed by Raoul Mader ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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