The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
Z wnętrza książki
Wyniki 1 - 3 z 39
... choral music performance . From October 1840 until July 1841 , Bruckner attended the teacher - training school in Linz . His teacher of harmony and choral singing was August Dürrnberger ( Göll- erich / Auer 1974 , I : 144-45 ) ...
... Choral fanfares will be encountered again , and this particular texture ( unison voices with trombone harmony ) has been observed earlier in this study . However , this particular choral fanfare ends at its fourth bar with an upward ...
... choral textures to create trombone parts that differ from any specific choral line . By doing so , he is able to support all of the voices with only three players . Another clever scoring touch occurs near the end of the ritornello ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
Nie pokazano 5 innych sekcji