The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... associated with the celebration of the Eucharist . Bruckner's doubling of the vocal line apparently was a metaphor for including everyone in that celebration . The Benedictus , in E - flat major , is the only movement in a key other ...
... associated with Vespers . As a Ferial psalm it is read at Vespers on Mondays , and it also forms part of the Vespers ceremony of the Office for the Dead ( Liber Usualis 1952 , 280 , 1772 ) . Bruckner's setting does not seem to have been ...
... associated with Mary that was introduced in movement four . However , music from earlier movements is recalled in other ways as well . The final movement begins by restating the first nineteen bars of the piece . In the initial movement ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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