The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 160 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... ( Watson 1977 , 7 ) . As assistant , the young man was in complete servitude to his superior , Franz Fuchs . In addition to his duties in the schoolhouse and the church , he was saddled with a multitude of menial tasks that included ...
... ( Watson 1977 , 27-28 , 38 , 41 , 46 ) . The Symphony No. 7 represented Bruckner's first international success as a symphonist , receiving no fewer than thirty - two performances all over Europe ( as well as three in the United States ) ...
... ( Watson 1977 , 47-48 ) . ' It seems profoundly regret- table that such acclaim should have come to him at a time when declining health prevented him from enjoying it . On Sunday , October 11 , 1896 , Anton Bruckner worked during the ...
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THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
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