The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... Kyrie - bars 1-6 10 Ky- ri- e Son Ky- cresc ri- e e- Te- ' son ri e le- son TI- cresc . son Beginning with the second phrase , the harmonic context becomes more tonal and quickly establishes a favourite Bruckner texture - parallel sixth ...
... Kyrie is preceded by a brief silence ( marked by a fermata in the 1882 edition ) . The music recalls the opening of the movement , but becomes more contrapuntal very quickly , leading to an extensive canonic development of the subject ...
... Kyrie are also recalled . The choral writing also echoes that of the first movement . Example 5.24A : E - minor Mass - Agnus - bars 53-56 + P P PP do- na no- bis pa- cem PP Example 5.24B : E - minor Mass — Kyrie — bars 29–32 • ri- le- i ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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