The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... ( Hawkshaw 1990 , 21 , 26-29 ) . He was especially fond of the second movement ( " In Odin's Hallen ist es licht ... ( Hawkshaw 1990 , 28 ) . 19Between September 1863 and June 1864 , Bruckner produced only three short pieces : Stille ...
... ( Hawkshaw 1990 , 21–22 ) . Bruckner apparently had the first version completed by September 1 , 1863 , because he mentioned it in a letter to Rudolf Weinwurm20 ( Hawkshaw 1990 , 21 ) . However , the autumn of 1863 and the early winter of ...
... Hawkshaw , Paul . ( 1984 ) The Manuscript Sources for Anton Bruckner's Linz Works : A Study of His Working Methods from 1856 to 1868. Ann Arbor , MI : University Microfilms International ( 8505979 ) . Hawkshaw , Paul . ( 1989 ) " Anton ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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