The Wind and Wind-Chorus Music of Anton BrucknerBloomsbury Academic, 30 sty 2000 - 145 This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. |
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... Florian , and Bruckner returned to his former home the following September . In addition to teaching duties , he served as deputy organist to Anton Kattinger , who had been his teacher in the 1830s ( Watson 1977 , 9 ) . Bruckner's ...
... Florian , where the dead were placed until a priest could undertake the consecration ( Göllerich / Auer 1974 , II / 1 : 63 ) . Bruckner's choice of instruments and musical style seem singularly appropriate to such a function . The sound ...
... Florian and to find a position where his talents as a performer and composer could be recognized . Although he was frustrated by the low priority assigned to music , Bruckner was loath to abandon the security of the abbey for a much ...
Spis treści
THE FIRST SMALL STEPS OF A MASTER 184145 | 1 |
ST FLORIAN 184555 | 7 |
LINZI THE SECHTER HIATUS 185661 | 35 |
Prawa autorskie | |
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