An Historical and Descriptive Guide to Warwick Castle, Beauchamp Chapel, Kenilworth Castle, Guy's Cliff, Stoneleigh Abbey, Charlecote Hall, Stratford, Coombe Abbey, and All Other Places of Interest in the NeighbourhoodH.T. Cooke, 1851 - 275 |
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Strona
... Pictures , Scenery , & c . at CIRQUICK CASTLE Stoneleigh Abbey , Guy's Cliff , Rus of Kenilworth , & c . WARWICK : Henry G.Cooke , High Street . ( Next door to the Bank ) Claremont , Kenilworth : Horsfall , Coventry and the Booksellers ...
... Pictures , Scenery , & c . at CIRQUICK CASTLE Stoneleigh Abbey , Guy's Cliff , Rus of Kenilworth , & c . WARWICK : Henry G.Cooke , High Street . ( Next door to the Bank ) Claremont , Kenilworth : Horsfall , Coventry and the Booksellers ...
Strona 5
... its charming groves and haunts confirms that witchery . Stoneleigh leads us back to the days of monkish indolence , monkish talent , and monkish devotion ; it recalls the era of kingly tyranny , and gives a pleasing picture of the.
... its charming groves and haunts confirms that witchery . Stoneleigh leads us back to the days of monkish indolence , monkish talent , and monkish devotion ; it recalls the era of kingly tyranny , and gives a pleasing picture of the.
Strona 6
Henry T. Cooke and Son. kingly tyranny , and gives a pleasing picture of the do- mestic retirement of the present day ; displays the beauty of nature , and the cultivation of nature by taste . Charlecote recalls to memory the Bard of ...
Henry T. Cooke and Son. kingly tyranny , and gives a pleasing picture of the do- mestic retirement of the present day ; displays the beauty of nature , and the cultivation of nature by taste . Charlecote recalls to memory the Bard of ...
Strona 38
... picture romantic and pleasing . Proceeding about 100 yards , a sudden turn in the road brings you to the outer court ( formerly a vine- yard , and where , it is said , so far back as the time of Henry IV . , the rich clusters of grapes ...
... picture romantic and pleasing . Proceeding about 100 yards , a sudden turn in the road brings you to the outer court ( formerly a vine- yard , and where , it is said , so far back as the time of Henry IV . , the rich clusters of grapes ...
Strona 43
... picture , hung at the end of the chapel passage , a portrait of Charles I. , by Sir Anthony Vandyck . The king is dressed in armour ( in which Vandyck excelled ) , mounted on a grey horse , and attended by Bernard de Nogaret de Foix ...
... picture , hung at the end of the chapel passage , a portrait of Charles I. , by Sir Anthony Vandyck . The king is dressed in armour ( in which Vandyck excelled ) , mounted on a grey horse , and attended by Bernard de Nogaret de Foix ...
Inne wydania - Wyświetl wszystko
An Historical and Descriptive Guide to Warwick Castle, Beauchamp Chapel ... Henry T. Cooke and Son Podgląd niedostępny - 2015 |
An Historical and Descriptive Guide to Warwick Castle, Beauchamp Chapel ... Henry T Cooke and Son Podgląd niedostępny - 2018 |
An Historical and Descriptive Guide to Warwick Castle, Beauchamp Chapel ... Henry T Cooke and Son Podgląd niedostępny - 2018 |
Kluczowe wyrazy i wyrażenia
Abbey above-Portrait afterwards aged altar ancient Anne Anno antique arch armour arms Baron Beauchamp Chapel beautiful beneath Bertie born building buried Cæsar's Canaletto carved centre chancel Charlecote Charles choir Church colouring Countess court daugh daughter death died ditto door Dugdale Duke Earl of Warwick east Edward eldest England erected Executors feet finest fire-place Francis Fulke George Gerhard Douw gilt Greatheed Greville Guy's Cliff Hall heir Henry Henry VIII Holbein honours inscription John Kenilworth Kenilworth Castle king Knight Lady landscape Latten Leicester Leicester's Leigh London Longborough Lord Brooke marble married Mary Mary's master monument NEWBURG noble ornamented painted painter picture portrait Prince ragged staff reign rich Richard Right Rubens Salvator Rosa Sir Thomas Leigh Sir Thomas Lucy stone Stoneleigh succeeded Thomas Lucy Titian tomb town Vandyck vases wall Warwick Castle Warwickshire wife William window
Popularne fragmenty
Strona 20 - Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal, For it must seem their guilt.
Strona 18 - Methinks I should know you, and know this man; Yet I am doubtful; for I am mainly ignorant What place this is; and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For (as I am a man) I think this lady To be my child Cordelia.
Strona 16 - And hid his face ; through which his hollow eyne Lookt deadly dull, and stared as astound ; His raw-bone cheekes, through penurie and pine, Were shronke into his iawes, as he did never dine.
Strona 16 - Ere long they come where that same wicked wight His dwelling has, low in an hollow cave, Far underneath a craggy cliff ypight, Darke, dolefull, dreary, like a greedy grave, That still for carrion carcases doth crave : On top whereof ay dwelt the ghastly Owle, Shrieking his balefull note, which ever drave Far from that haunt all other chearefull fowle , And all about it wandring ghostes did wayle and howle.
Strona 2 - Good frend for Jesvs sake forbeare, To digg the dvst encloased heare ; Blese be ye. man yt. spares thes stones, And cvrst be he yt. moves my bones.
Strona 4 - Kenilworth Illustrated ; or, the History of the Castle, Priory, and Church of Kenilworth, with a description of their Present State.
Strona 69 - He gives us a peculiar cast of nature, which, though void of all grace, elegance, and simplicity, though it has nothing of that elevation and dignity which belongs to the grand style, yet, has that sort of dignity which belongs to savage and uncultivated nature : but what is most to be admired in him, is, the perfect correspondence which he observed between the subjects •which he chose and his manner of treating them. Every thing is of a piece : his Rocks, Trees, Sky, even to his handling, have...
Strona 81 - He looks up as if reflecting ; for, although his eye is directed towards the spectator, his mind is evidently fixed on his subject. The expression of the head is remarkably fine and spirited : he is dressed in black, with a white lace ruff and ruffles. The local tone of the flesh is reddish ; the execution careful. The whole bespeaks it to be the work of a clever painter, and it seems to me to be decidedly an original portrait. The ground is black.