The Critical Reception of Shakespeare's Antony and Cleopatra from 1607 to 1905John Benjamins Publishing, 1 sty 1980 - 619 |
Spis treści
Criticism before the Restoration | 1 |
Further Topics | 42 |
The Nineteenth Century | 48 |
English Criticism after the Romantics | 72 |
a Cleopatra | 161 |
Further Topics | 189 |
Continental Criticism after the Romantics | 206 |
French Criticism | 298 |
Criticism from Bradley | 318 |
General Assessments | 328 |
Theme | 337 |
Relation of the Play to History | 349 |
Technique | 373 |
Notes | 485 |
| 606 | |
Kluczowe wyrazy i wyrażenia
acter admiration aesthetic Anto Antoine Antonius und Kleopatra Antony and Cleopatra Antony's beauty Bradley Brandes Cäsar char characterization Charles Cleo Cleopa Cléopâtre Coleridge Coriolanus Corson death Dichter Diss Dowden dramatic dramatische Dramen Dryden edition Emerson English Enobarbus Essays Etty fascination feels Friesen Furnivall Genée genius Gervinus Goethe große Guizot Hazlitt Henry Heraud Herford Hermann hero heroic Heyse historical Hülsmann imagination interest Jameson John Johnson Julius Caesar King Lear Kreyssig Leben Liebe London lovers Macbeth Mark Antony Mézières moral nature noble Octavius Octavius's Othello passion patra play's Plutarch poet poetic poetry Pompey psychological queen remarks Roman Rome Romeo and Juliet Rötscher scene Schlegel sensual Shak Shake Shakespeare's Antony Shakespeare's Plays Shakespearean Tragedy Shakespearian Shakspere Skottowe Snider speare speare's Stapfer Stück Studies sympathy T]he theme Thomas Thümmel tion tony tragedy tragic trans Ulrici unity Univ Vischer Weib Welt Werke William Shakespeare Wolff woman York