Textual Shakespeare: Writing and the WordUniversity of Hertfordshire Press, 2003 - 311 'Textual Shakespeare' reassesses the Bard as a writer in the light of the late-20th century revolution in bibliography and textual studies. Reviewing debates in textual theory and practice, Holderness concludes that 'Shakespeare' is not a writer but a collection of documents. |
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Strona x
... practice can be said to precede the very texts which mediate ' Shakespeare ' to the read- er or theatre audience . Yet it is in this field of textual scholarship that Shakespeare studies have experienced their most radical ...
... practice can be said to precede the very texts which mediate ' Shakespeare ' to the read- er or theatre audience . Yet it is in this field of textual scholarship that Shakespeare studies have experienced their most radical ...
Strona xi
... practice , opens the way to yet more inventive textual activities of reconstruction and translation2 . In the second , ' practical ' part of the book , a series of chapters on individual plays provides illustrative examples of such ...
... practice , opens the way to yet more inventive textual activities of reconstruction and translation2 . In the second , ' practical ' part of the book , a series of chapters on individual plays provides illustrative examples of such ...
Strona 13
... practice and the production of dramatic writ- ing will inevitably be in the foreground . How do the early printed texts of Shakespeare , virtually the only source of our knowledge of them , relate to the theatrical productions they both ...
... practice and the production of dramatic writ- ing will inevitably be in the foreground . How do the early printed texts of Shakespeare , virtually the only source of our knowledge of them , relate to the theatrical productions they both ...
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A.E. Housman authentic Bad Quarto Bibliography Bryan Loughrey century Chapter Claudius collaborative conflated contemporary context copy Cordelia corruption Derrida dramatic early modern early printed texts Edgar editorial evidence Faber facsimile Folio text Forman's Fortinbras Gary Taylor ghost Graham Holderness Grazia and Stallybrass Greetham Hamlet Prince Hemel Hempstead Henry the Fift Heppenstall Holinshed interpretation Jacques Derrida Jerome McGann Kastan King Lear language Lear plays literary London Macb Macbeth Marx material McGann meaning mediaeval memorial reconstruction modern editions multiple narrative Oxford Shakespeare Oxford University Press performance play's poem post-structuralist practice present Prince of Denmarke published Quarto text quoted reader reading restoration revision romance scene scholars scholarship Shake Shakespeare's play Shakespearean Originals Shakespearean text Simon Forman Spectres stage Stephen Greenblatt Stoppard story textual criticism textual theory textualisation theatre theatrical tion Tom Stoppard tradition tragedy Tragicall Historie translated true chronicle historie William Shakespeare words writing
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