Shakespeare, National Poet-Playwright
Shakespeare, National Poet-Playwright is an important new book which reassesses Shakespeare as a poet and dramatist. Patrick Cheney contests critical preoccupation with Shakespeare as 'a man of the theatre' by recovering his original standing as an early modern author: he is a working dramatist who composes some of the most extraordinary poems in English. Cheney traces the literary origin to Shakespeare's favourite author, Ovid. The book concentrates on Shakespeare's freestanding poems, but makes frequent reference to the plays, and ranges widely through the work of other Renaissance writers.
Co mówią ludzie - Napisz recenzję
Nie znaleziono żadnych recenzji w standardowych lokalizacjach.
Inne wydania - Wyświetl wszystko
actor Aeschylus aesthetics Amores appears authorship Burrow calls Cambridge University Press career century chapter Cheney Chicago classical comedy Critical cultural death desire discourse drama early edition Elizabethan England English English Studies epic especially Faerie Queene figure final genre important Italy John Jonson literary Literature London Love's Lucrece lyric Marlowe Marlowe's Martyr merely myth narrative Notes opening original Ovid Ovid's Ovidian Oxford Passionate Pilgrim pastoral performance Phoenix and Turtle plays poems poems and plays poet poet-playwright poetic poetry and theatre political presents Profession publication published Rape of Lucrece readers recent reference Renaissance represent representation Richard Robert Roman scene sexual Shakespeare Shakespeare's poems Shakespeare's Sonnets simply sing song Spenser Spenserian stage story Studies subjectivity suggests theatrical Thomas tradition tragedy turn Venus and Adonis verse Virgil Virgilian voice volume writing York young
Wszystkie wyniki z usługi Książki Google »
Engendering the Fall: John Milton and Seventeenth-Century Women Writers
Podgląd niedostępny - 2008