The Poetic Theology of Love: Cupid in Renaissance LiteratureUniversity of Delaware Press, 1986 - 212 This book argues that current criticism tends to take the mythology of love either too innocently or too skeptically and therefore distorts the complex roles played by the god of love in longer narrative poems and discursive works of the Middle Ages and the Renaissance. |
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Strona 17
... represent it accurately " ; she justifies it . It might be objected that these are practical or affective replies to Auden's argument , which merely circumscribes a divinity's inherent truth - claim within the fictive world of the poem ...
... represent it accurately " ; she justifies it . It might be objected that these are practical or affective replies to Auden's argument , which merely circumscribes a divinity's inherent truth - claim within the fictive world of the poem ...
Strona 18
... represent do not by themselves fix the bound- ary between fictive and real worlds or manage the commerce over it . Every work of fiction draws the boundary anew , even if only by retracing the lines temporarily fixed in extra - literary ...
... represent do not by themselves fix the bound- ary between fictive and real worlds or manage the commerce over it . Every work of fiction draws the boundary anew , even if only by retracing the lines temporarily fixed in extra - literary ...
Strona 20
... represent the true God , of course , but he cannot represent Him truly , and this limitation leads to the prohibition or destruction of images in the more austere periods and movements of the Judaeo - Christian tradition or in less ...
... represent the true God , of course , but he cannot represent Him truly , and this limitation leads to the prohibition or destruction of images in the more austere periods and movements of the Judaeo - Christian tradition or in less ...
Strona 21
... represent themselves as representations except by recourse to language or through con- ventions that are precisely what the unlearned need to learn in the first place . Half - figures or busts , for example , may conventionally indicate ...
... represent themselves as representations except by recourse to language or through con- ventions that are precisely what the unlearned need to learn in the first place . Half - figures or busts , for example , may conventionally indicate ...
Strona 22
Cupid in Renaissance Literature Thomas Hyde. bosom ( 14 ) . A painter might represent Propertius's constant love more accu- rately , then , by omitting the wings , but without recourse to language he could not show that he was representing ...
Cupid in Renaissance Literature Thomas Hyde. bosom ( 14 ) . A painter might represent Propertius's constant love more accu- rately , then , by omitting the wings , but without recourse to language he could not show that he was representing ...
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abuse affirmation Alain Alain de Lille allegory ambiguous Amore Amore's Amoretti Amour Andreas Andreas Capellanus Andreas's appears Archimago arrows Asolani Beatrice beauty Boccaccio Book Britomart Busyrane's C. S. Lewis canto Cartari Chapter 25 Clouts Come Home Colin Clouts Commentary Conti cruell Cupid's divinity d'amore Dante Dante's darts deity demon desire dialogue doth dream dreamer earlier earthly eclogue Edited Edmund Spenser epic example fable Faerie Queene false Ficino fiction fictive figure Fowre Hymnes genealogies gods heaven heavenly Home Againe human love imagery imitation knights lady Laura literary Love's lovers lust lyric medieval merely mortal Muiopotmos mythographers mythological myths nature Neoplatonic Ovid pagan passion personification Petrarch Platonic poem poet poetic theology poetry Poliziano readers Renaissance rhetorical Roman rose Shepheardes Calender sonnet Spenser stanza theodicy theodicy of Cupid theology of love thou tion tradition translation Trionfi triumph Triumphus Cupidinis Triumphus Pudicitiae troubadour true truth Venus Vita Nuova wings youth