Criticism on Milton's Paradise Lost : from The Spectator, 31 December 1711-3 May 1712Constable, 1868 - 152 |
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Strona 30
... Punns , and those too very indifferent ones . -Satan beheld their Pight , And to his Mates thus in derifion call'd . O Friends , why come not on theje Victors proud ! · THE ONLY PIECE OF PLEASANTRY IN PARADISE LOST .
... Punns , and those too very indifferent ones . -Satan beheld their Pight , And to his Mates thus in derifion call'd . O Friends , why come not on theje Victors proud ! · THE ONLY PIECE OF PLEASANTRY IN PARADISE LOST .
Strona 32
... or Syntax , where it is im- poffible for him to mistake the Poet's Sense . Of this kind is that Paffage in Milton , wherein he speaks of Satan . THE LANGUAGE SHOULD BE PERSPICUOUS AND SUBLIME . 33 God NUMB . CCLXXXV .
... or Syntax , where it is im- poffible for him to mistake the Poet's Sense . Of this kind is that Paffage in Milton , wherein he speaks of Satan . THE LANGUAGE SHOULD BE PERSPICUOUS AND SUBLIME . 33 God NUMB . CCLXXXV .
Strona 51
... Satan , who is one of the principal Actors in this Poem , are wonderfully proper to give us a full Idea of him . His Pride , Envy and Revenge , Obftinacy , Despair and Impenitence , are all of them very artfully interwoven . In fhort ...
... Satan , who is one of the principal Actors in this Poem , are wonderfully proper to give us a full Idea of him . His Pride , Envy and Revenge , Obftinacy , Despair and Impenitence , are all of them very artfully interwoven . In fhort ...
Strona 59
... of that proud and daring Mind which could not brook Submiffion even to Omnipotence . Satan was now at hand , and from his Seat The Monster moving onward came as faft With horrid flrides , Hell trembled as he flrode , NUMB . CCCIX .
... of that proud and daring Mind which could not brook Submiffion even to Omnipotence . Satan was now at hand , and from his Seat The Monster moving onward came as faft With horrid flrides , Hell trembled as he flrode , NUMB . CCCIX .
Strona 61
... Satan , on their fuppofed Advantage over the Enemy . As his Appearance is uniform , and of a Piece , in these three feveral Views , we find his Sentiments in the Infernal Affembly every way conformable to his Cha- racter . Such are his ...
... Satan , on their fuppofed Advantage over the Enemy . As his Appearance is uniform , and of a Piece , in these three feveral Views , we find his Sentiments in the Infernal Affembly every way conformable to his Cha- racter . Such are his ...
Kluczowe wyrazy i wyrażenia
Action Adam Adam and Eve Æneas Æneid Allegory alſo Angels appear Ariftotle aſtoniſhing Author Battel beautiful becauſe Characters Circumſtances Converſation Creation Criticiſm Criticks deſcribed Deſcription Deſign Difcourfe diſcover Divine Earth Eneid Epic Poem Epic Poetry Epiſode Expreffion Fable fame fecond feems felf feveral fhall fhew fhort firft Firſt Book firſt Parents fome fuch fufficient fuitable give greateſt Greatneſs Heaven Hell Heroic Poem himſelf Hiſtory Homer Iliad Imagination Infernal Inftances juſt laſt likewiſe Majefty Mankind Maſter meaſure Meffiah Milton Mind moſt muſt Nature noble obferved occafion Ovid Paffage paffed Paffion Paper Paradife Loft particular Paſſage Perfons pleaſed Pleaſure Poet Poetical Poetry preſent racters raiſed Reader Reaſon repreſented rifes riſes ſame Satan ſee ſelf Sentiments ſeveral ſhall ſhort ſhould ſome ſpeak SPECTATOR Speech Spirit ſtill Sublime ſuch take notice thee thefe themſelves theſe thing thofe thoſe Thoughts tion uſe Verſe Virgil Viſion wherein whole Poem