English Verse: Specimens Illustrating Its Principles and History, Tom 10Raymond Macdonald Alden H. Holt, 1903 - 459 |
Z wnętrza książki
Wyniki 1 - 5 z 63
Strona x
... called " Under the Rose , " from his volume entitled Cap and Bells ; to the Frederick A. Stokes Company , for per- mission to reprint Mr. Frank D. Sherman's " Ballade to Austin Dobson , " from the volume entitled Madrigals and Catches ...
... called " Under the Rose , " from his volume entitled Cap and Bells ; to the Frederick A. Stokes Company , for per- mission to reprint Mr. Frank D. Sherman's " Ballade to Austin Dobson , " from the volume entitled Madrigals and Catches ...
Strona 10
... called " pre - Raphaelite " poetry of the Victorian period ; in part , no doubt , they are due to the influence of the old ballads . My colleague Professor Newcomer has suggested that they are partly due , also , to a dislike for the ...
... called " pre - Raphaelite " poetry of the Victorian period ; in part , no doubt , they are due to the influence of the old ballads . My colleague Professor Newcomer has suggested that they are partly due , also , to a dislike for the ...
Strona 17
... called Ceasures . . . . In mine opinion in a verse of eight sillables , the pause will stand best in the middest , in a verse of tenne it will be placed at the ende of the first foure sil- lables ; in a verse of twelve , in the midst ...
... called Ceasures . . . . In mine opinion in a verse of eight sillables , the pause will stand best in the middest , in a verse of tenne it will be placed at the ende of the first foure sil- lables ; in a verse of twelve , in the midst ...
Strona 19
... called masculine when it follows an accented syllable . ( For examples , see previous specimen from Gascoigne . ) It is called feminine when it follows an unaccented syllable . Two varieties of the feminine cesura are also distinguished ...
... called masculine when it follows an accented syllable . ( For examples , see previous specimen from Gascoigne . ) It is called feminine when it follows an unaccented syllable . Two varieties of the feminine cesura are also distinguished ...
Strona 24
... called an iambus ( or iamb ) if the unaccented syllable precedes the accented , and a trochee if the accented precedes the unaccented . The trisyllabic foot is commonly called an anapest if the two unaccented syllables precede the ...
... called an iambus ( or iamb ) if the unaccented syllable precedes the accented , and a trochee if the accented precedes the unaccented . The trisyllabic foot is commonly called an anapest if the two unaccented syllables precede the ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
accent alexandrine alliteration Altenglische anapestic Anglo-Saxon ballade beauty blank verse called Catalectic century cesura Chaucer classical consonants couplet dactylic Death doth Dryden element Elizabethan English hexameter English poetry English verse Essay expression eyes feet five-stress following specimen foot four-stress French Gosse half-line hand harmony hath heart heaven heroic heroic couplet hexameters iambic imitation Italian King kiss language Latin light syllable long line lyrical measure melody metre metrical metrist Milton modern natural o'er ottava rima pause pleasure poem poet poetic Professor Corson prose prosody quantity quoted reader regular rhyme rhythm rhythmical rime rondeau Rose run-on says Schipper seems sense septenary SHAKSPERE sing song sonnet soul sound Spenser spondees stanza stress strophe sweet SWINBURNE syllables TENNYSON tercet thee thou thought time-intervals translation trochaic trochee unto versification Villanelle vowel W. E. HENLEY wind words Wyatt þat
Popularne fragmenty
Strona 274 - Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so ; For, those whom thou think'st thou dost overthrow, Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures...
Strona 105 - I STOOD in Venice, on the Bridge of Sighs ; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles...
Strona 312 - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
Strona 244 - The old order changeth, yielding place to new, And God fulfils Himself in many ways, Lest one good custom should corrupt the world.
Strona 222 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
Strona 66 - O wild West Wind, thou breath of Autumn's being, Thou from whose unseen presence the leaves dead. Are driven, like ghosts from an enchanter fleeing...
Strona 280 - I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.
Strona 193 - Of these the false Achitophel was first, A name to all succeeding ages curst : For close designs and crooked counsels fit, Sagacious, bold, and turbulent of wit, Restless, unfixed in principles and place, In power unpleased, impatient of disgrace ; A fiery soul, which working out its way, Fretted the pigmy body to decay And o'cr-informed the tenement of clay.
Strona 139 - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
Strona 50 - Fear death? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...