A History of Collective CreationSpringer, 24 lip 2013 - 274 Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century. |
Spis treści
| 1 | |
Part I Collective Creations First Wave | 11 |
Part II Collective Creations Second Wave | 113 |
Notes on Contributors | 238 |
| 243 | |
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actors aesthetic agitprop Albee Albee’s American Art Theatre artistic audience Beck Cage Cage’s Chicano collaborative collective creation commedia company members company’s created création collective creative Critical cultural Cunningham dance Dasté Deleuze Deleuze’s Dell’Arte devising direct director Documentary Theatre drama early emerged ensemble experience Family Circus Filewod Francisco Mime Troupe French Grotowski Ibid immanence improvisation interview Jacques Copeau Jane Baldwin Jerzy Grotowski Julian Beck labor Léon Chancerel Lilith Living Theatre Luis Valdez Malina Merce Cunningham Meyerhold Michel Saint-Denis Mnouchkine mode Moscow Myers Nemirovich-Danchenko off-off-Broadway Open Theater Osterwa people’s theatre performance Piscator play playwright political practice production Quebec radical Reduta rehearsal role Russian San Francisco Mime Schechner script shared social Soviet space Spolin stage Stanislavsky structure Suzanne Bing theatre companies Théâtre du Soleil Theatre Movement Theatre’s theatrical tion tive transcendent troupe’s United University Vieux-Colombier women workers workshop York