The Subtext of Form in the English Renaissance: Proportion Poetical

according actuality aesthetic Ages appears architecture argument arrangement authority becomes beginning body called Cambridge century circle complete comprise concludes construction continues course culture deconstructive defined Derrida determined discourse divine early Elizabethan English Euphues example exists expressed fact fiction Figure final follows formal four frame grounded human idea interpretation Italy John language lines linguistic literary logocentric London mathematical matter meaning mind narrative narrator nature objective opposites original painting panel past perfection period perspective poem poet poetics poetry position possible problem produce proportion provides quatorzain question reader reading reality reason recognized relation relationship Renaissance representing result rhyme scheme sense serves Sidney signified Socrates sonnet space square theory things tion tradition trans University Press verbal verse writing York