Milton's Kinesthetic Vision in Paradise LostBucknell University Press, 1983 - 321 The author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Prawa autorskie | |
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Abdiel absolute Adam and Eve Adam's aesthetic distancing Anatomy of Criticism angels anger beauty becomes behold Book 9 Books 11 coition complex relativizing conception consciousness countering counterplot created creation declension of mind described desirer dimension disjunctive dream earth energy epic Eve's evil evolution experience fall fallen fallen angels fear feels forces frame Galilean-Newtonian God's he/she heaven heavenly hell his/her human identification imagination ironic mode irony kinesthesia kinesthetic less lyric and ironic lyric mode lyric-ironic masculine meditative modes Michael Milton modal structure moon motions move movement nature neutrality Northrop Frye pain Paradise Lost passage perceived perhaps pilot poem poetic pole psychic pure Raphael reader reality reciprocity relation relativizing mode resonance resonant structure Satan says sense shift simple relativizing spirit stage stars strategy sympathic thee third space thou tion tone tree universe vision war in heaven winds wonder yearning