The Second Part of King Henry IVCambridge University Press, 3 maj 2007 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition retains Giorgio Melchiori's text of Shakespeare's The Second Part of King Henry IV. Melchiori argues that the play forms an unplanned sequel to the First Part, itself a 'remake' of an old, non-Shakespearean play. In the Second Part, Shakespeare deliberately exploits Falstaff's popular appeal and the resulting rich humour adds a comic dimension to the play, rendering it a unique blend of history, morality play and comedy. Among modern editions, Melchiori's is the one most firmly based on the quarto. This second edition includes a new section by Adam Hansen on recent stage, film and critical interpretations. |
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... prince's companions, replace that of Sir John Russell (or Rossill) with Bardolph,'3 if he already expected to introduce the historical Lord Bardolph in the Second Part? 4. The presence in the quarto of the speech heading Old. at 1.2.96 ...
... prince's companions, replace that of Sir John Russell (or Rossill) with Bardolph,'3 if he already expected to introduce the historical Lord Bardolph in the Second Part? 4. The presence in the quarto of the speech heading Old. at 1.2.96 ...
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... ,and William Afplcy. 1600. 1 Title page of the 1600 quarto, from the copy at Trinity College, Cambridge A number of other inconsistencies could be pointed out, such as the mention of the prince having been committed to prison for.
... ,and William Afplcy. 1600. 1 Title page of the 1600 quarto, from the copy at Trinity College, Cambridge A number of other inconsistencies could be pointed out, such as the mention of the prince having been committed to prison for.
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... prince is gracious enough to enquire 'How doth thy husband? (3392-3), and Falstaff enjoins her to 'love thy husband ... Prince Hal and of the Lord Chief Justice's firmness with the prince who had threatened him in the place of judgement ...
... prince is gracious enough to enquire 'How doth thy husband? (3392-3), and Falstaff enjoins her to 'love thy husband ... Prince Hal and of the Lord Chief Justice's firmness with the prince who had threatened him in the place of judgement ...
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... prince', they are to be found mainly in the much amplified English version (1513) of Tito Livio's Latin Vita Henrici Quinti (c. 1437), but it would be idle to speculate on the possibility that Shakespeare had access to a work that ...
... prince', they are to be found mainly in the much amplified English version (1513) of Tito Livio's Latin Vita Henrici Quinti (c. 1437), but it would be idle to speculate on the possibility that Shakespeare had access to a work that ...
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... prince was not called Falstaff but Sir John Oldcastle, a name found in an equivalent role in Famous Victories, and that two of his companions (collectively designated 'knights' in the old play) had been named by Shakespeare Harvey and ...
... prince was not called Falstaff but Sir John Oldcastle, a name found in an equivalent role in Famous Victories, and that two of his companions (collectively designated 'knights' in the old play) had been named by Shakespeare Harvey and ...
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actors and’t ARCHBISHOP Bardolfe battle of Shrewsbury Bullingbrook Capell characters CLARENCE Colevile comedy crown Davy death Doll Tearsheet doth earle earle marshall edited editors Elizabethan England Enter Epilogue Exeunt Exit Famous Victories father Folio foul papers Gaultree God’s grace Hal’s hand Harry HASTINGS hath haue Heauen F Henry the Fourth Holinshed Holinshed’s honour HOSTESS humours Iohn Iudge Justice Shallow King Henry king’s knight Lord Bardolph Lord Chief Justice Master Shallow Melchiori merry Morton Mouldy Mowbray noble Northumberland notes for Act Oldcastle omission passages peace Peto Pistol play’s POINS political pray prince’s Private Idaho prose Proverbial Tilley quarto Richard Richard II scene sick Silence Sir John Falstaff Sir John Oldcastle sonne speak speech headings STAFF stage subst suggests Theatre thee there’s Thomas thou art ur-Henry verse vnto vpon Walter Hodges WARWICK Westmoreland William Shakespeare words