The Second Part of King Henry IVCambridge University Press, 3 maj 2007 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition retains Giorgio Melchiori's text of Shakespeare's The Second Part of King Henry IV. Melchiori argues that the play forms an unplanned sequel to the First Part, itself a 'remake' of an old, non-Shakespearean play. In the Second Part, Shakespeare deliberately exploits Falstaff's popular appeal and the resulting rich humour adds a comic dimension to the play, rendering it a unique blend of history, morality play and comedy. Among modern editions, Melchiori's is the one most firmly based on the quarto. This second edition includes a new section by Adam Hansen on recent stage, film and critical interpretations. |
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... Peace and Coram in the County of Gloucester' should have a manor and deer park at Windsor (Wiv. 1.1.111—12). The inconsistencies open up a double problem: one connected with the stages of composition of Part Two and the other with the ...
... Peace and Coram in the County of Gloucester' should have a manor and deer park at Windsor (Wiv. 1.1.111—12). The inconsistencies open up a double problem: one connected with the stages of composition of Part Two and the other with the ...
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... Peace. This accounts for the use of Gloucestershire as the home county of Justice Shallow, a character conceived as the counterpart of the Lord Chief Justice.43 The episode, left out in the rewriting of the ur-Henry IV as Part One, was ...
... Peace. This accounts for the use of Gloucestershire as the home county of Justice Shallow, a character conceived as the counterpart of the Lord Chief Justice.43 The episode, left out in the rewriting of the ur-Henry IV as Part One, was ...
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... Peace on the other. In the case of the prince, the father—son relationship is explored instead in real terms: the father-figure represented by Falstaff in Part One is replaced by the natural father, King Henry IV. This development has ...
... Peace on the other. In the case of the prince, the father—son relationship is explored instead in real terms: the father-figure represented by Falstaff in Part One is replaced by the natural father, King Henry IV. This development has ...
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