The Second Part of King Henry IVCambridge University Press, 3 maj 2007 The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition retains Giorgio Melchiori's text of Shakespeare's The Second Part of King Henry IV. Melchiori argues that the play forms an unplanned sequel to the First Part, itself a 'remake' of an old, non-Shakespearean play. In the Second Part, Shakespeare deliberately exploits Falstaff's popular appeal and the resulting rich humour adds a comic dimension to the play, rendering it a unique blend of history, morality play and comedy. Among modern editions, Melchiori's is the one most firmly based on the quarto. This second edition includes a new section by Adam Hansen on recent stage, film and critical interpretations. |
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... battle of Shrewsbury. It was followed by an interview between Oldcastle and the Lord Chief Justice, the substance of which (one page of the foul papers) was reutilised in Part Two, becoming 1.2.74—c. 135. This accounts for the survival ...
... battle of Shrewsbury. It was followed by an interview between Oldcastle and the Lord Chief Justice, the substance of which (one page of the foul papers) was reutilised in Part Two, becoming 1.2.74—c. 135. This accounts for the survival ...
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... battle scenes (60 per cent prose as against 40 per cent verse). In Part Two ... Shrewsbury Prince Hal is given the triumphal distinction of killing Hotspur ... war council of level-headed men with a real grievance and even the sense of a ...
... battle scenes (60 per cent prose as against 40 per cent verse). In Part Two ... Shrewsbury Prince Hal is given the triumphal distinction of killing Hotspur ... war council of level-headed men with a real grievance and even the sense of a ...
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... battle of Shrewsbury, in which the prince kept the vow made to his father to 'redeem all [past offences] on Percy's head' (see Part One 3.2.132), was followed by the mention of the king's illness in the dialogue between Oldcastle and ...
... battle of Shrewsbury, in which the prince kept the vow made to his father to 'redeem all [past offences] on Percy's head' (see Part One 3.2.132), was followed by the mention of the king's illness in the dialogue between Oldcastle and ...
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actors and’t ARCHBISHOP Bardolfe battle of Shrewsbury Bullingbrook Capell characters CLARENCE Colevile comedy crown Davy death Doll Tearsheet doth earle earle marshall edited editors Elizabethan England Enter Epilogue Exeunt Exit Famous Victories father Folio foul papers Gaultree God’s grace Hal’s hand Harry HASTINGS hath haue Heauen F Henry the Fourth Holinshed Holinshed’s honour HOSTESS humours Iohn Iudge Justice Shallow King Henry king’s knight Lord Bardolph Lord Chief Justice Master Shallow Melchiori merry Morton Mouldy Mowbray noble Northumberland notes for Act Oldcastle omission passages peace Peto Pistol play’s POINS political pray prince’s Private Idaho prose Proverbial Tilley quarto Richard Richard II scene sick Silence Sir John Falstaff Sir John Oldcastle sonne speak speech headings STAFF stage subst suggests Theatre thee there’s Thomas thou art ur-Henry verse vnto vpon Walter Hodges WARWICK Westmoreland William Shakespeare words