Studies on the Cantar de Mio Cid

accept action afrenta de Corpes Alan Alfonso attack attempt attention authority beginning bien called Cantar Chanson characters Christian Cid's concern courage course critics daughters dealing Deyermond discussed effect epic epithets essential example exile fact fear Fiction figure fijas final forces formula function given Hart hero heroic historical ideal ifantes de Carrión important Infantes interest ISBN kind king lack least less lines lion listener literary literature lord marriages matter means medieval Menéndez Pidal Mio Cid moral narrative never novel pattern Pedro perhaps persons poem poet poet's poetry possible present protagonist qualities reader reading reality reason references remark repeated Rhetoric seems seen sense serve simply Spanish story structure Studies suggest suppose surely technique things told tradition trial true Univ Valencia vassal wives