Peregrinatio, Tom 1Guild for Medieval and Renaissance Studies., 1971 |
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Strona 46
... narrative poet would appear to be narrative completeness , no matter how limited or restricted his material might otherwise be ; furthermore , there seems to be no conventional literary precedent to account for such a device . Why ...
... narrative poet would appear to be narrative completeness , no matter how limited or restricted his material might otherwise be ; furthermore , there seems to be no conventional literary precedent to account for such a device . Why ...
Strona 47
... narrative faults , why did he include them in the first place ? To answer that he did so as an ironic means of revealing the characters of their tellers is not likely to be entirely convincing , even though the tales may indeed ...
... narrative faults , why did he include them in the first place ? To answer that he did so as an ironic means of revealing the characters of their tellers is not likely to be entirely convincing , even though the tales may indeed ...
Strona 56
... narrative art controlled by a masterful sense of style and proportion , whereas the Squire's Tale , regardless of any specific felicities , is marred by looseness of narrative structure , lack of thematic focus , and unevenness of tone ...
... narrative art controlled by a masterful sense of style and proportion , whereas the Squire's Tale , regardless of any specific felicities , is marred by looseness of narrative structure , lack of thematic focus , and unevenness of tone ...
Spis treści
THE TWO WORLDS OF THE SEAFARER Frank Bessai | 1 |
ANDRÉ BEAUNEVEU AND THE SCULPTURE | 19 |
NOTES ON THE PARABLE OF THE GOOD SAMARITAN | 39 |
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