Encyclopedia of Comparative Iconography: Themes Depicted in Works of ArtHelene E. Roberts Routledge, 5 wrz 2013 - 1150 First published in 1998. The Encyclopedia of Comparative Iconography compares the uses of iconographic themes from mythology, the Bible and other sacred texts, literature, and popular culture in works of art through various periods, cultures, and genres. Art historians now tend to study narrative themes depicted in works of art in relation to such subjects as gender and sexuality, politics and power, ownership and possession, ceremony and ritual, legitimacy and authority. The Encyclopedia of Comparative Iconography reflects these new approaches by ordering the themes of various iconographic sources in particular biblical, mythological, and literary texts according to these new emphases.Each handsomely illustrated entry discusses the major relevant iconographic narratives and the historical background of each theme. A list of selected works of art that accompanies each essay guides the reader to examples in art that depict the theme under discussion. Each essay includes a list of suggested reading that provides further sources of information about the themes. A general bibliography of reference books is listed separately and can be used in association with all the essays. With 119 entries written by 42 experts, the Encyclopedia of Comparative Iconography is an important reference work for art historians, students of art history, artists, and the general reader. |
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... Renaissance. The slew-footed Oedipus, wounded on the orders of his father to prevent his escape, was more often depicted in the medieval period than in the classical. In a classical red-figured vase painting, the young Oedipus clings to ...
... Renaissance. The slew-footed Oedipus, wounded on the orders of his father to prevent his escape, was more often depicted in the medieval period than in the classical. In a classical red-figured vase painting, the young Oedipus clings to ...
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... Renaissance, Baroque, and nineteenth-century painters. In most of these periods, however, it is the suffering of the abandoned Ariadne as she realizes that her lover has deserted her that provides the major focus of the paintings. In ...
... Renaissance, Baroque, and nineteenth-century painters. In most of these periods, however, it is the suffering of the abandoned Ariadne as she realizes that her lover has deserted her that provides the major focus of the paintings. In ...
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... Renaissance and Baroque artists such as Michelangelo, Correggio, Rubens, and Rembrandt van Rijn. Michelangelo's drawing of Ganymede embodied the elements of Neoplatonic humanism. Based on Xenophon's explanation of the Ganymede story as ...
... Renaissance and Baroque artists such as Michelangelo, Correggio, Rubens, and Rembrandt van Rijn. Michelangelo's drawing of Ganymede embodied the elements of Neoplatonic humanism. Based on Xenophon's explanation of the Ganymede story as ...
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... Renaissance also abound with tales of abduction, both religious and secular. The story of a nobleman's son taken captive is an example of a postbiblical abduction. A noble youth was abducted by a cruel heathen king and made to serve as ...
... Renaissance also abound with tales of abduction, both religious and secular. The story of a nobleman's son taken captive is an example of a postbiblical abduction. A noble youth was abducted by a cruel heathen king and made to serve as ...
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... Renaissance most artists seemed to distance themselves from such convoluted reasoning , in which Zeus disguised as the bull is equated to Jesus Christ and Europa to the human soul . Titian's paintings for Philip II , based on subjects ...
... Renaissance most artists seemed to distance themselves from such convoluted reasoning , in which Zeus disguised as the bull is equated to Jesus Christ and Europa to the human soul . Titian's paintings for Philip II , based on subjects ...
Spis treści
ENCYCLOPEDIA ENTRIES AZ | |
CONCEPTS | |
INDEX OF REFERENCES TO THE BIBLE AND OTHER SACRED BOOKS | |
INDEX OF OTHER CULTURES RELIGIONS AND MYTHOLOGIES | |
INDEX OF AUTHORS LITERARY TEXTS COMPOSERS FILMMAKERS AND FOLKTALES | |
INDEX OF OTHER NAMES AND TERMS | |
Inne wydania - Wyświetl wszystko
Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art Helene E. Roberts Ograniczony podgląd - 2013 |
Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. A - L Helene E. Roberts Podgląd niedostępny - 1998 |
Kluczowe wyrazy i wyrażenia
Abduction allegory Altarpiece ancient Andrea angels Annunciation Art Gallery Art Museum artists Bacchanal bathing birth bronze Cambridge Caravaggio caricature century b.c. Christ Christian Church circa classical Crucifixion Dance death depicted Dionysus divine dream early Elder engraving Envy example female figure Florence fool France fresco Gemäldegalerie Germany gesture goddess Greek hair head human iconography illuminated manuscript illustration Italy Jesus John Judas Judith King Kunsthistorisches Museum Last Supper London Louvre Madrid maenads manuscript Mary Massachusetts medieval Metropolitan Museum Michelangelo modern motif Munich Musée Museo Museum of Art Mythology narrative National Gallery Nicolas nineteenth century nude oil on canvas painter painting panel Paris portraits Poussin Prado private collection Rape relief Renaissance representations Roman Rome Saint scene sculpture Self-Portrait Silenus sixteenth century Staatliche story Susanna symbol Tate Gallery Thames and Hudson theme Tintoretto Titian tomb tradition Uffizi Gallery University Press Vasari Venus viewer Virgin visual woman women woodcut York Zeus