The French Cinema BookMichael Temple, Michael Witt BFI, 2004 - 294 The French Cinema Book is an accessible and innovative survey of key topics in French cinema from the 1890s to the twenty-first century. It proposes new insights into familiar areas and sets out a fresh agenda for the study and appreciation of French cinema. The book combines historical context and background information with detailed discussion of casestudies and analysis of films. It also provides guidance for further reading, and additional resources for readers to consider. The French Cinema Book is addressed to all lovers of French cinema, students and teachers, specialists and fans. The book addreses such questions as * Who are the men and women who have made French cinema happen? * What is the business culture in which French cinema evolved? * How has technological change effected artistic and commercial innovation? * What have been the most popular and the most experimental forms? * How has the spectator's experience of filmgoing changed in the past 100 years? * How have debates about film reflected cinema's unique place in French culture? |
Spis treści
A ReExamination of Key Milestones in the Development of the Industry | 34 |
The Shifting Boundaries of Art and Industry | 50 |
Mutability and Fixity in Early French Cinema | 65 |
Prawa autorskie | |
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Abel actors aesthetic André André Bazin artistic audience auteur avant-garde Bazin became Cahiers du cinéma camera Carné cent Chapter cinéma français cinematographer Clair colour comedies critical Daney debate decade Delluc directors distribution documentary duction Duvivier early Edison émigré Epstein Éric Rohmer European example exhibition Fantômas feature Feuillade figures film culture Film français film history film production film's France France's French cinema French film industry French film-makers Gaumont genre German Godard Hollywood images important invention Jacques Jean Renoir Jean-Luc Godard Jean-Pierre Julien Duvivier La Belle équipe London Lumière major Marcel Marcel Carné Marey Méliès ment narrative Paris Pathé Pathé-Frères period Pierre Poetic Realism political popular post-war Prédal René René Clair role screen scriptwriters serials set designer shooting shot social spectacle spectators stars television theatre tion tradition trick films Truffaut University Press Vincendeau visual Wave
