An Integral View Of Poetry: An India PerspectiveAbhinav Publications, 1975 - 224 This Is An Original Approach To Poetry, The Poetic Process And To An Interpretation Of The Various Constituents Of Poetry And Of The Configuration Of All These Elements Into The Magic That Is Poetry, Supported By The Tradition Of Indian Aesthetics That Has Always Regarded Great Poets As Seers And Prophets. Stimulated By European Literary Criticism And By Modern Critics Like T. S. Eliot, I. A. Richards And The New Critics, Indian Aesthetics And Modern Indian Thinkers Like Sri Aurobindo, Professor Vinayak Krishna Gokak Has Formulated A Theory Of Poetry Which Is A New And Synthetic Statement Doing Justice To All Aspects Of The Subject. His Experience As Professor Of English Language And Literature In Quite A Few Indian Universities And As Professor Of Literary Interpretation To Teachers And Lecturers From All Over India Has Stood Him In Good Stead In This Formulation. The Book Opens With An Account Of The Poetic Process In Which All The Key-Words Of Aesthetic Theory,-Inspiration, Imitation, Expression, Communication, Persuasion And Configuration -Are Seen To Fit Into Their Places In A Comprehensive Account Of The Poetic Process. This Is Followed By Chapters On: Vision In Poetry, The Four Levels Of Poetic Vision, The Five Kinds Of Poetic Vision The Poet And The Structure Of Personality. The Most Original Part Of This Account Of Poetry Comes Up Next In An Analysis Of Attitudes And Moods In Poetry. This Is Followed By Chapters On: Poetic Meaning, Rhythm, Imagery, Diction, Style Propriety, A Touchstone Of Poetry And The Fulfilment Of Poetry. Students Of Poetry Who Pick Up This Book Will Not Be Easily Inclined To Lay It Down Till They Have Finished Reading It. For Many Of Them, It Will Be A Profound Experience To Be Cherished And Remembered For Long. |
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Spis treści
The Poetic Process | 1 |
Vision in Poetry | 11 |
The Four Levels of Poetic Vision | 20 |
The Five Kinds of Poetic Vision | 40 |
The Poet and the Structure of Personality | 50 |
Comprehensiveness in Poetry | 71 |
Inner and Outer | 99 |
Rhythm | 119 |
Diction | 139 |
Style | 157 |
Propriety | 178 |
A Touchstone of Poetry | 191 |
The Fulfilment of Poetry | 206 |
Appendix A Legend and a Symbol | 211 |
215 | |
Imagery | 130 |
Kluczowe wyrazy i wyrażenia
aesthetic aestheticians Anandavardhana archaisms archetypal aspect attitudes and moods beauty character clause Coleridge colour complex consciousness context critical daffodils dares delight diction emotions epic eternity experience expression eyes feeling figures of speech flowers forms gunas heart heaven Herbert Read human I.A. Richards imagery images imaginative impulses individual inner meaning inner perspective Integral View intellectual intuitive perception Keats kind Kshemendra language lines literary lyrical metaphorical mind mood and attitude nature object ojas organisation outer meaning Peace Perdita personality phonic Pity plosive poem poet poet's vision poetic process propensity propriety prose rasa realise rhyme rhythm Rose Samadhi Sanskrit Sanskrit aestheticians sense sentiments Shakespeare Shelley Shelley's Shlesha Sir Patrick Sir Patrick Spens sorrow soul speaks Sri Aurobindo Sringāra stanza style Sublimity swallow symbol syntax T.S. Eliot Terror theme things thought tion truth unstressed positions utterance Vamana View of Poetry W.B. Yeats W.H. Auden West Wind words Wordsworth