Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Wyniki 1 - 5 z 56
Strona 5
... female protagonist and a concern with specifically feminine problems and experiences . Both adaptations appear to propound a conservative view of gender in which ( as Janine Basinger observes ) the woman is forced to make a choice ...
... female protagonist and a concern with specifically feminine problems and experiences . Both adaptations appear to propound a conservative view of gender in which ( as Janine Basinger observes ) the woman is forced to make a choice ...
Strona 6
... exploited either socially or sexually . Compared to the wom- en's films of the 1940s , Softley's film offers a more pessimistic view of female potential , especially for those who pursue an independent life 6 Introduction.
... exploited either socially or sexually . Compared to the wom- en's films of the 1940s , Softley's film offers a more pessimistic view of female potential , especially for those who pursue an independent life 6 Introduction.
Strona 9
... female characters through the gaze ; they should be more preoccupied with trying to make sense of a series of apparently disparate images . Critics of the 1970s and 1980s heritage film or the costume drama , such as Andrew Higson , have ...
... female characters through the gaze ; they should be more preoccupied with trying to make sense of a series of apparently disparate images . Critics of the 1970s and 1980s heritage film or the costume drama , such as Andrew Higson , have ...
Strona 10
... female desire is some- how unnatural , especially for those denied the benefits of a " normal " ( i.e. , nuclear ) family life . In the earlier film , Jane Cubberly ( Lynn Redgrave ) is shown lying in bed waiting for Quint to make love ...
... female desire is some- how unnatural , especially for those denied the benefits of a " normal " ( i.e. , nuclear ) family life . In the earlier film , Jane Cubberly ( Lynn Redgrave ) is shown lying in bed waiting for Quint to make love ...
Strona 11
... females — can operate in a world wherein everything is possible , unfettered by the social and / or gender conventions ... female imprisonment or , more positively , as an expression of Olive's desire to challenge the conventions of ...
... females — can operate in a world wherein everything is possible , unfettered by the social and / or gender conventions ... female imprisonment or , more positively , as an expression of Olive's desire to challenge the conventions of ...
Spis treści
Berkeley Square 1933 | 15 |
The Lost Moment 1947 | 27 |
The Heiress 1949 | 39 |
Never Forget You 1951 | 49 |
The Innocents 1961 | 57 |
The Nightcomers 1971 | 67 |
Daisy Miller 1974 | 75 |
On a Clear Day You Can See Forever 1970 and Somewhere in Time 1980 | 85 |
The Portrait of a Lady 1996 | 157 |
The Wings of the Dove 1997 | 169 |
Under Heaven 1998 | 181 |
The Turn of the Screw 1995 and 1999 | 193 |
The American 1998 | 205 |
Washington Square 1997 | 217 |
The House by the Cemetery 1981 and The Haunting of Hell House 1999 | 229 |
Presence of Mind 1999 | 241 |
The Turn of the Screw 1974 | 95 |
The Portrait of a Lady 1968 and The Golden Bowl 1972 | 103 |
The Jolly Corner 1975 | 117 |
The Europeans 1979 and The Bostonians 1984 | 127 |
The Turn of the Screw 1989 | 141 |
The Turn of the Screw 1992 | 149 |
The Golden Bowl 2001 | 249 |
Conclusion | 261 |
271 | |
287 | |
About the Author | |
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American Amini Aspern Papers audience Berkeley Square Bogdanovich's Bostonians Brydon camera Campion's Catherine Cellan Jones's chapter character Charlotte Cinema classic Clear Day close-up costumes critical culture Daisy Miller Densher director fantasy female feminine feminism feminist film's filmgoers Flora focusing Freudstein gender ghosts Golden Bowl governess governess's Harmondsworth Haunting of Hell Heiress Helen Hell House Henry James Henry James Goes Hollywood horror films Innocents Isabel Ivory Ivory's James adaptations James Ivory James's novel Jane Jolly Corner Kate Lady London looking Lost Moment Madeleine Potter male marriage masculine Masterpiece Theatre Merchant-Ivory Miles Milly Miss Giddens Miss Jessel Movies narrative Nightcomers novella observes past patriarchal play Portrait production Quint role romantic scene screen screenplay Screw sense sequence sexual shot Sloper social Softley Softley's someone Standish story suggests Susan Susan Hayward television Tina tion Turn University Press Verena Verver viewers visual Washington Square Wings Winterbourne woman women York