Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona iv
... Wings of the Dove ( 1997 ) 169 Chapter 17 Under Heaven ( 1998 ) 181 Chapter 18 The Turn of the Screw ( 1995 and 1999 ) 193 Chapter 19 The American ( 1998 ) 205 Chapter 20 Washington Square ( 1997 ) 217 Chapter 21 The House by the ...
... Wings of the Dove ( 1997 ) 169 Chapter 17 Under Heaven ( 1998 ) 181 Chapter 18 The Turn of the Screw ( 1995 and 1999 ) 193 Chapter 19 The American ( 1998 ) 205 Chapter 20 Washington Square ( 1997 ) 217 Chapter 21 The House by the ...
Strona vi
... Wings of the Dove ( LFQ 32 , 3 [ 2004 ] ) , are reprinted with permission of Litera- ture Film Quarterly and Salisbury University , Salisbury , Maryland 21001. The chapter on Somewhere in Time and On a Clear Day You Can See Forever ...
... Wings of the Dove ( LFQ 32 , 3 [ 2004 ] ) , are reprinted with permission of Litera- ture Film Quarterly and Salisbury University , Salisbury , Maryland 21001. The chapter on Somewhere in Time and On a Clear Day You Can See Forever ...
Strona 3
... Wings of the Dove ) in the interests of simplicity . Other directors might create new scenes in the interests of narrative clarity but also to provide opportunities for their leading actors to show off . This is especially true of ...
... Wings of the Dove ) in the interests of simplicity . Other directors might create new scenes in the interests of narrative clarity but also to provide opportunities for their leading actors to show off . This is especially true of ...
Strona 6
... Wings of the Dove ( 1997 ) resembles that of Daisy Miller , as Kate Croy ( Helena Bonham Carter ) seeks to dominate those around her but ends up with nothing , trapped by her conviction that people are there to be exploited either ...
... Wings of the Dove ( 1997 ) resembles that of Daisy Miller , as Kate Croy ( Helena Bonham Carter ) seeks to dominate those around her but ends up with nothing , trapped by her conviction that people are there to be exploited either ...
Strona 7
... Wings of the Dove — which ends with Cynthia ( the Kate Croy character of the novel ) setting up home with her mother and three sisters in an environment based on mutual trust rather than domination , where everyone can experience ...
... Wings of the Dove — which ends with Cynthia ( the Kate Croy character of the novel ) setting up home with her mother and three sisters in an environment based on mutual trust rather than domination , where everyone can experience ...
Spis treści
Berkeley Square 1933 | 15 |
The Lost Moment 1947 | 27 |
The Heiress 1949 | 39 |
Never Forget You 1951 | 49 |
The Innocents 1961 | 57 |
The Nightcomers 1971 | 67 |
Daisy Miller 1974 | 75 |
On a Clear Day You Can See Forever 1970 and Somewhere in Time 1980 | 85 |
The Portrait of a Lady 1996 | 157 |
The Wings of the Dove 1997 | 169 |
Under Heaven 1998 | 181 |
The Turn of the Screw 1995 and 1999 | 193 |
The American 1998 | 205 |
Washington Square 1997 | 217 |
The House by the Cemetery 1981 and The Haunting of Hell House 1999 | 229 |
Presence of Mind 1999 | 241 |
The Turn of the Screw 1974 | 95 |
The Portrait of a Lady 1968 and The Golden Bowl 1972 | 103 |
The Jolly Corner 1975 | 117 |
The Europeans 1979 and The Bostonians 1984 | 127 |
The Turn of the Screw 1989 | 141 |
The Turn of the Screw 1992 | 149 |
The Golden Bowl 2001 | 249 |
Conclusion | 261 |
271 | |
287 | |
About the Author | |
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American Amini Aspern Papers audience Berkeley Square Bogdanovich's Bostonians Brydon camera Campion's Catherine Cellan Jones's chapter character Charlotte Cinema classic Clear Day close-up costumes critical culture Daisy Miller Densher director fantasy female feminine feminism feminist film's filmgoers Flora focusing Freudstein gender ghosts Golden Bowl governess governess's Harmondsworth Haunting of Hell Heiress Helen Hell House Henry James Henry James Goes Hollywood horror films Innocents Isabel Ivory Ivory's James adaptations James Ivory James's novel Jane Jolly Corner Kate Lady London looking Lost Moment Madeleine Potter male marriage masculine Masterpiece Theatre Merchant-Ivory Miles Milly Miss Giddens Miss Jessel Movies narrative Nightcomers novella observes past patriarchal play Portrait production Quint role romantic scene screen screenplay Screw sense sequence sexual shot Sloper social Softley Softley's someone Standish story suggests Susan Susan Hayward television Tina tion Turn University Press Verena Verver viewers visual Washington Square Wings Winterbourne woman women York