Adapting Henry James to the Screen: Gender, Fiction, and FilmScarecrow Press, 2007 - 297 "This book shows how changing priorities affected the ways in which James's novels were translated to the screen and how gender relations were addressed. Raw discusses most of the major adaptations, beginning with Berkeley Square (1933) and culminating with James Ivory's The Golden Bowl (2000). This book also offers new readings of well-known adaptations and considers works that have been critically neglected, such as The Lost Moment (1947), The House in the Square (1951), The Haunting of Hell House (1999), and the four television versions of The Turn of the Screw produced between 1974 and 1999. Adapting Henry James to the Screen is the most comprehensive survey published on James's work on film and television."--Jacket. |
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Strona 2
... Isabel Archer being punished by Gilbert Osmond but appearing to enjoy it nonetheless ; a costume drama becomes a masochistic drama . The term " context " also invokes issues of censorship , whether internal or external , conscious or ...
... Isabel Archer being punished by Gilbert Osmond but appearing to enjoy it nonetheless ; a costume drama becomes a masochistic drama . The term " context " also invokes issues of censorship , whether internal or external , conscious or ...
Strona 7
... Isabel Archer ( Suzanne Neve ) and Charlotte Stant ( Gayle Hunnicutt ) appear to subject themselves to patriarchal author- ity but refuse to explain their behavior in logical ( i.e. , masculine ) terms , which suggests some kind of ...
... Isabel Archer ( Suzanne Neve ) and Charlotte Stant ( Gayle Hunnicutt ) appear to subject themselves to patriarchal author- ity but refuse to explain their behavior in logical ( i.e. , masculine ) terms , which suggests some kind of ...
Strona 10
... Isabel Archer's fantasy of being ravished by Warbur- ton , Ralph Touchett , and Caspar Goodwood in Campion's Portrait . The one reveals Chabot's desire to create an ideal woman for himself , and the other shows how Isabel possesses very ...
... Isabel Archer's fantasy of being ravished by Warbur- ton , Ralph Touchett , and Caspar Goodwood in Campion's Portrait . The one reveals Chabot's desire to create an ideal woman for himself , and the other shows how Isabel possesses very ...
Strona 12
... Isabel sits uncomfortably on the sofa among them , it is evident that Osmond regards her as nothing more than another curio to add to his collection . Holland's Washington Square creates a new scene in the New York harbor , where Cath ...
... Isabel sits uncomfortably on the sofa among them , it is evident that Osmond regards her as nothing more than another curio to add to his collection . Holland's Washington Square creates a new scene in the New York harbor , where Cath ...
Strona 104
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Spis treści
Berkeley Square 1933 | 15 |
The Lost Moment 1947 | 27 |
The Heiress 1949 | 39 |
Never Forget You 1951 | 49 |
The Innocents 1961 | 57 |
The Nightcomers 1971 | 67 |
Daisy Miller 1974 | 75 |
On a Clear Day You Can See Forever 1970 and Somewhere in Time 1980 | 85 |
The Portrait of a Lady 1996 | 157 |
The Wings of the Dove 1997 | 169 |
Under Heaven 1998 | 181 |
The Turn of the Screw 1995 and 1999 | 193 |
The American 1998 | 205 |
Washington Square 1997 | 217 |
The House by the Cemetery 1981 and The Haunting of Hell House 1999 | 229 |
Presence of Mind 1999 | 241 |
The Turn of the Screw 1974 | 95 |
The Portrait of a Lady 1968 and The Golden Bowl 1972 | 103 |
The Jolly Corner 1975 | 117 |
The Europeans 1979 and The Bostonians 1984 | 127 |
The Turn of the Screw 1989 | 141 |
The Turn of the Screw 1992 | 149 |
The Golden Bowl 2001 | 249 |
Conclusion | 261 |
271 | |
287 | |
About the Author | |
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