Performing Early Modern Trauma from Shakespeare to MiltonRoutledge, 5 gru 2016 - 248 An examination of political and cultural acts of commemoration, this study addresses the way personal and collective loss is registered in prose, poetry and drama in early modern England. It focuses on the connection of representation of violence in literary works to historical traumas such as royal death, secularization and regicide. The author contends that dramatic and poetic forms function as historical archives both in their commemoration of the past and in their reenactment of loss that is part of any effort to represent traumatic history. Incorporating contemporary theories of memory and loss, Thomas Anderson here analyzes works by Shakepeare, Marlowe, Webster, Marvell and Milton. Where other studies about violent loss in the period tend to privilege allegorical readings that equate the content of art to its historical analogue, this study insists that artistic representations are performative as they commemorate the past. By interrogating the difficulty in representing historical crises in poetry, drama and political prose, Anderson demonstrates how early modern English identity is the fragile product of an ambivalent desire to flee history. This book's major contribution to Renaissance studies lies in the way it conceives the representations of violent loss-secular and religious-in early modern texts as moments of failed political and social memorialization. It offers a fresh way to understand the development of historical and national identity in England during the Renaissance. |
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... suggests, the questions that Berger asks about early modern literature, especially Shakespeare's history plays, keep me writing and reading today. In a seminar at the Folger Institute, Margreta de Grazia, Kathryn Romack, Bradley ...
... suggests, the questions that Berger asks about early modern literature, especially Shakespeare's history plays, keep me writing and reading today. In a seminar at the Folger Institute, Margreta de Grazia, Kathryn Romack, Bradley ...
Strona
... suggests his reluctance to confront Henry's return. The threat that Henry could "burst" through his coffin echoes Cranmer's stutter over the infant Elizabeth's inevitable death in All Is True. Both establish vision in the direction of ...
... suggests his reluctance to confront Henry's return. The threat that Henry could "burst" through his coffin echoes Cranmer's stutter over the infant Elizabeth's inevitable death in All Is True. Both establish vision in the direction of ...
Strona
... suggests that the "rustie brass" books that contain the past are "rustie" lead coffins or "tombs" in which the dead have been laid to rest. Memory and body return in "triumph." The triumph here is not Talbot's victory because he ...
... suggests that the "rustie brass" books that contain the past are "rustie" lead coffins or "tombs" in which the dead have been laid to rest. Memory and body return in "triumph." The triumph here is not Talbot's victory because he ...
Strona
... suggests that Talbot's joy at his " new embalmed " and " fresh bleeding " representation is an acknowledgment that history returns - that a violent past is not finally overcome . The " teares of ten thousand spectators " are the tears ...
... suggests that Talbot's joy at his " new embalmed " and " fresh bleeding " representation is an acknowledgment that history returns - that a violent past is not finally overcome . The " teares of ten thousand spectators " are the tears ...
Strona
... suggests a loss that is paradoxically embodied in the monuments to the past. In his effort to move beyond loss with monuments that bequeath an inheritance only to move forward, Webster gives us a way to read Milton's response to Eikon ...
... suggests a loss that is paradoxically embodied in the monuments to the past. In his effort to move beyond loss with monuments that bequeath an inheritance only to move forward, Webster gives us a way to read Milton's response to Eikon ...
Spis treści
Richard II and the Politics of Murder | |
Edward II and the Aesthetics of Survival | |
The Art of Playing Dead in Revenge Tragedy | |
Royal Death | |
Bibliography | |
Index | |
Inne wydania - Wyświetl wszystko
Performing Early Modern Trauma from Shakespeare to Milton Thomas Page Anderson Ograniczony podgląd - 2006 |
Performing Early Modern Trauma from Shakespeare to Milton Thomas P. Anderson Podgląd niedostępny - 2016 |
Kluczowe wyrazy i wyrażenia
Actaeon afterlife allegory Andrea Andrew Marvell appears bastard bear witness blood body Cambridge chapter Charles Charles's Christopher Marlowe Chronicles claims commemoration corpse critical cultural dead death describes desire disavowal distorts drama Duchess Duchess of Malfi early modern echo Edward Edward II effect efficacy effigy Eikon Basilike Elizabeth's England English English Reformation Enterline execution figure Foxe's Gaveston's Gloucester's murder grief Hieronimo historical transmission Holinshed imagined inheritance king king's book Kyd's language Lavinia's legacy Lightborn literary living loss Marlowe Marlowe's Marvell Marvell's memory metaphor Milton narrative Ovid Oxford past performance Peter Marshall play play's poem political present Prince promise purgatory reading Reformation regicide relationship Renaissance represent representation revenge Revenge Tragedy Revenger's Tragedy rhetoric Richard Richard II ritual royal sacrament scene sense Shakespeare Spanish Tragedy spectators speech Spurio stage suggests theater theatrical thou Titus Andronicus Titus's trauma understanding Vindice's violence Webster words writing York