Performing Early Modern Trauma from Shakespeare to MiltonRoutledge, 5 gru 2016 - 248 An examination of political and cultural acts of commemoration, this study addresses the way personal and collective loss is registered in prose, poetry and drama in early modern England. It focuses on the connection of representation of violence in literary works to historical traumas such as royal death, secularization and regicide. The author contends that dramatic and poetic forms function as historical archives both in their commemoration of the past and in their reenactment of loss that is part of any effort to represent traumatic history. Incorporating contemporary theories of memory and loss, Thomas Anderson here analyzes works by Shakepeare, Marlowe, Webster, Marvell and Milton. Where other studies about violent loss in the period tend to privilege allegorical readings that equate the content of art to its historical analogue, this study insists that artistic representations are performative as they commemorate the past. By interrogating the difficulty in representing historical crises in poetry, drama and political prose, Anderson demonstrates how early modern English identity is the fragile product of an ambivalent desire to flee history. This book's major contribution to Renaissance studies lies in the way it conceives the representations of violent loss-secular and religious-in early modern texts as moments of failed political and social memorialization. It offers a fresh way to understand the development of historical and national identity in England during the Renaissance. |
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... plays appear to memorialize a past precisely by leaving history behind. Depicting the birth of Elizabeth and the promise of an heir, Shakespeare's final history play, Henry VIII: Or All Is True (1613), can be read as the telos of the ...
... plays appear to memorialize a past precisely by leaving history behind. Depicting the birth of Elizabeth and the promise of an heir, Shakespeare's final history play, Henry VIII: Or All Is True (1613), can be read as the telos of the ...
Strona
... play suggests that he is never completely after history . John Webster , too , considers history a thing of the present . The Duchess of Malfi ( 1614 ) makes the status of the dead its central concern , and images of corpses haunt the ...
... play suggests that he is never completely after history . John Webster , too , considers history a thing of the present . The Duchess of Malfi ( 1614 ) makes the status of the dead its central concern , and images of corpses haunt the ...
Strona
... plays of Shakespeare and those of his competitor , Christopher Marlowe . Chapter two is interested in the way that Shakespeare maintains a vigil for the past in Titus Andronicus , a play that makes space for the return of the lingering ...
... plays of Shakespeare and those of his competitor , Christopher Marlowe . Chapter two is interested in the way that Shakespeare maintains a vigil for the past in Titus Andronicus , a play that makes space for the return of the lingering ...
Strona
... play enacts a type of double inheritance that magnifies the loss (evident in the proliferation of body parts on stage) sustained in acts of commemoration. Chapters three and four turn specifically to the history play. In their plays ...
... play enacts a type of double inheritance that magnifies the loss (evident in the proliferation of body parts on stage) sustained in acts of commemoration. Chapters three and four turn specifically to the history play. In their plays ...
Strona
... play itself , and the regicide of 1649. Addressing the argument that the Jacobean revenge play in general is a genre that comes to prominence on the early modern stage as a way to accommodate the pressing claims of generations of ...
... play itself , and the regicide of 1649. Addressing the argument that the Jacobean revenge play in general is a genre that comes to prominence on the early modern stage as a way to accommodate the pressing claims of generations of ...
Spis treści
Richard II and the Politics of Murder | |
Edward II and the Aesthetics of Survival | |
The Art of Playing Dead in Revenge Tragedy | |
Royal Death | |
Bibliography | |
Index | |
Inne wydania - Wyświetl wszystko
Performing Early Modern Trauma from Shakespeare to Milton Thomas Page Anderson Ograniczony podgląd - 2006 |
Performing Early Modern Trauma from Shakespeare to Milton Thomas P. Anderson Podgląd niedostępny - 2016 |
Kluczowe wyrazy i wyrażenia
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