Performing Early Modern Trauma from Shakespeare to MiltonRoutledge, 5 gru 2016 - 248 An examination of political and cultural acts of commemoration, this study addresses the way personal and collective loss is registered in prose, poetry and drama in early modern England. It focuses on the connection of representation of violence in literary works to historical traumas such as royal death, secularization and regicide. The author contends that dramatic and poetic forms function as historical archives both in their commemoration of the past and in their reenactment of loss that is part of any effort to represent traumatic history. Incorporating contemporary theories of memory and loss, Thomas Anderson here analyzes works by Shakepeare, Marlowe, Webster, Marvell and Milton. Where other studies about violent loss in the period tend to privilege allegorical readings that equate the content of art to its historical analogue, this study insists that artistic representations are performative as they commemorate the past. By interrogating the difficulty in representing historical crises in poetry, drama and political prose, Anderson demonstrates how early modern English identity is the fragile product of an ambivalent desire to flee history. This book's major contribution to Renaissance studies lies in the way it conceives the representations of violent loss-secular and religious-in early modern texts as moments of failed political and social memorialization. It offers a fresh way to understand the development of historical and national identity in England during the Renaissance. |
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... II and the Aesthetics of Survival Part 2 Exhuming Effigies 5 The Art of Playing Dead in Revenge Tragedy 6 Representing Regicide: Royal Death and Renaissance Distraction Bibliography Index 1 2 3 List of Figures The title page to.
... II and the Aesthetics of Survival Part 2 Exhuming Effigies 5 The Art of Playing Dead in Revenge Tragedy 6 Representing Regicide: Royal Death and Renaissance Distraction Bibliography Index 1 2 3 List of Figures The title page to.
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... dead ' : Writing Royal Effigies in Mar veil's Poetry , " English Literary Renaissance , vol 35 , no . 3 , 2005 English Literary Renaissance Inc. Chapter 1 Introduction: Performing Trauma Literature often shoots ahead of.
... dead ' : Writing Royal Effigies in Mar veil's Poetry , " English Literary Renaissance , vol 35 , no . 3 , 2005 English Literary Renaissance Inc. Chapter 1 Introduction: Performing Trauma Literature often shoots ahead of.
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... dead. For Gloucester, the king's death is associated with an inability to speak. His response in the presence of the king's effigy in the procession indicates the level of his grief: "What should I say? His deeds exceed all speech" (1.1 ...
... dead. For Gloucester, the king's death is associated with an inability to speak. His response in the presence of the king's effigy in the procession indicates the level of his grief: "What should I say? His deeds exceed all speech" (1.1 ...
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... dead Henry's corpse? / Speak softly, or the loss of those great towns / Will make him burst his lead and rise from the dead" (1.1 .62—4). With the startling image of a reanimated Henry bursting through his coffin and rising from the ...
... dead Henry's corpse? / Speak softly, or the loss of those great towns / Will make him burst his lead and rise from the dead" (1.1 .62—4). With the startling image of a reanimated Henry bursting through his coffin and rising from the ...
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... dead and gone, the force of the past never expires in it. The privilege of history as memory's prosthesis derives from its transmission of the matter of the past, of what memory fails consciously to transmit. Because the deadness of the ...
... dead and gone, the force of the past never expires in it. The privilege of history as memory's prosthesis derives from its transmission of the matter of the past, of what memory fails consciously to transmit. Because the deadness of the ...
Spis treści
Richard II and the Politics of Murder | |
Edward II and the Aesthetics of Survival | |
The Art of Playing Dead in Revenge Tragedy | |
Royal Death | |
Bibliography | |
Index | |
Inne wydania - Wyświetl wszystko
Performing Early Modern Trauma from Shakespeare to Milton Thomas Page Anderson Ograniczony podgląd - 2006 |
Performing Early Modern Trauma from Shakespeare to Milton Thomas P. Anderson Podgląd niedostępny - 2016 |
Kluczowe wyrazy i wyrażenia
Actaeon afterlife allegory Andrea Andrew Marvell appears bastard bear witness blood body Cambridge chapter Charles Charles's Christopher Marlowe Chronicles claims commemoration corpse critical cultural dead death describes desire disavowal distorts drama Duchess Duchess of Malfi early modern echo Edward Edward II effect efficacy effigy Eikon Basilike Elizabeth's England English English Reformation Enterline execution figure Foxe's Gaveston's Gloucester's murder grief Hieronimo historical transmission Holinshed imagined inheritance king king's book Kyd's language Lavinia's legacy Lightborn literary living loss Marlowe Marlowe's Marvell Marvell's memory metaphor Milton narrative Ovid Oxford past performance Peter Marshall play play's poem political present Prince promise purgatory reading Reformation regicide relationship Renaissance represent representation revenge Revenge Tragedy Revenger's Tragedy rhetoric Richard Richard II ritual royal sacrament scene sense Shakespeare Spanish Tragedy spectators speech Spurio stage suggests theater theatrical thou Titus Andronicus Titus's trauma understanding Vindice's violence Webster words writing York