The Works of William Mason, Tom 3T. Cadell and W. Davies, 1811 |
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Strona 28
... rests When nor the pencil feels their drowsy art , Nor the skill'd hand explains the meaning heart . In chains of sloth such talents droop confin'd : 90 ' Twas not by words Apelles charm'd mankind . Hear then the Muse ; though perfect ...
... rests When nor the pencil feels their drowsy art , Nor the skill'd hand explains the meaning heart . In chains of sloth such talents droop confin'd : 90 ' Twas not by words Apelles charm'd mankind . Hear then the Muse ; though perfect ...
Strona 35
... connitantur eodem ; b XII . Groups of figures . XIII . Diversity of Attitude in Groups . 135 d XII . Figurarum globi seu cumuli . • XIII . Positurarum diver- sitas in cumul . Thus , when the rest in front their charms display [ 35 ]
... connitantur eodem ; b XII . Groups of figures . XIII . Diversity of Attitude in Groups . 135 d XII . Figurarum globi seu cumuli . • XIII . Positurarum diver- sitas in cumul . Thus , when the rest in front their charms display [ 35 ]
Strona 36
William Mason. Thus , when the rest in front their charms display , Let one with face averted turn away ; Shoulders oppose to breasts , and left to right , With parts that meet and parts that shun the sight . This rule in practice ...
William Mason. Thus , when the rest in front their charms display , Let one with face averted turn away ; Shoulders oppose to breasts , and left to right , With parts that meet and parts that shun the sight . This rule in practice ...
Strona 38
... rest ; Nor can such forms with force or beauty shine , Save when the head and hands in action join . m 225 230 Each air constrain'd and forc'd , each gesture rude , Whate'er contracts or cramps the attitude , With scorn discard . When ...
... rest ; Nor can such forms with force or beauty shine , Save when the head and hands in action join . m 225 230 Each air constrain'd and forc'd , each gesture rude , Whate'er contracts or cramps the attitude , With scorn discard . When ...
Strona 39
... rest . 240 yet 9 Nor yet to Nature such strict homage pay , As not to quit when Genius leads the way ; Nor tho ' Genius all his succour sends , Her mimic powers tho ' ready Memory lends , Presume from Nature wholly to depart , For ...
... rest . 240 yet 9 Nor yet to Nature such strict homage pay , As not to quit when Genius leads the way ; Nor tho ' Genius all his succour sends , Her mimic powers tho ' ready Memory lends , Presume from Nature wholly to depart , For ...
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Strona 314 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Strona 29 - Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Strona 298 - At last divine Cecilia came, Inventress of the vocal frame; The sweet enthusiast, from her sacred store, Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown : He raised a mortal to the skies : She drew an angel down.
Strona 224 - And breathe an air divine on every face ; Yet should the Muses bid my numbers roll Strong as their charms, and gentle as their soul; With Zeuxis...
Strona 223 - The living image in the painter's breast! Thence endless streams of fair ideas flow, Strike in the sketch, or in the picture glow; Thence Beauty, waking all her forms, supplies An angel's sweetness, or Bridgewater's eyes.1 Muse! at that name thy sacred sorrows shed...
Strona 310 - The interim of unsweating themselves regularly and convenient rest before meat may both with profit and delight be taken up in recreating and composing their travailed spirits with the solemn and divine harmonies of music, heard or learned either while the skilful organist plies his grave and fancied descant in lofty fugues or the whole symphony with artful and unimaginable touches adorn and grace the well-studied chords of some choice composer — sometimes the lute or soft organ-stop waiting on...
Strona 355 - HARRY, whose tuneful and well-measured song First taught our English music how to span Words with just note and accent, not to scan With Midas' ears, committing short and long, Thy worth and skill exempts thee from the throng, With praise enough for Envy to look wan : To after age thou shalt be writ the man That with smooth air couldst humour best our tongue. Thou honour'st verse, and verse must lend her wing To honour thee, the priest of Phoebus...
Strona 198 - Truth is the object of our understanding, as good is of our will; and the understanding can no more be delighted with a lie, than the will can choose an apparent evil. As truth is the end of all our speculations, so the discovery of it is the pleasure of them; and since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must of necessity produce a much greater: for both these arts . . . are not only true imitations of nature, but of the best nature,...
Strona 23 - RUE poetry the Painter's power displays : True Painting emulates the Poet's lays ; The rival sisters, fond of equal fame, Alternate change their office and their name ; Bid silent Poetry the canvass warm, . 5 The tuneful page with speaking picture charm.
Strona 73 - Yet higher still great TITIAN dar'd to soar, He reach'd the loftiest heights of colouring's power ; His friendly tints in happiest mixture flow, His shades and lights their just gradations know; His were those dear delusions of the art...