Memorials of Shakspeare: Or, Sketches of His Character and GeniusAMS, 1972 - 494 |
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Strona 51
... brought with them when they sate down ; some accession of intellectual strength ; improvement in the conduct of life ; a more lively sense of the beauty of virtue , and of all the relative offices and affections which cement and adorn ...
... brought with them when they sate down ; some accession of intellectual strength ; improvement in the conduct of life ; a more lively sense of the beauty of virtue , and of all the relative offices and affections which cement and adorn ...
Strona 176
... brought the whole scene before his eyes , and he painted all that he saw in his vision . The same taste predominates in that emphatic exhorta- tion to evil , where Lady Macbeth says , Look like the innocent flower , But be the serpent ...
... brought the whole scene before his eyes , and he painted all that he saw in his vision . The same taste predominates in that emphatic exhorta- tion to evil , where Lady Macbeth says , Look like the innocent flower , But be the serpent ...
Strona 414
... brought to yield even to oracular influence . This alone would demonstrate ( if we needed demonstration ) that Shakspeare , without resorting to the ancients , had the judgment of ages as it were instinctively . From this instant we are ...
... brought to yield even to oracular influence . This alone would demonstrate ( if we needed demonstration ) that Shakspeare , without resorting to the ancients , had the judgment of ages as it were instinctively . From this instant we are ...
Spis treści
PART | 8 |
Genius | 53 |
On the Characteristics of Shakspeare COLERIDGE | 73 |
Prawa autorskie | |
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admiration ancient appears Banquo bard beauty Ben Jonson Caliban character comic criticism death delight delineation Desdemona drama dramatic poet edition effect England English Eschylus excellence exhibited expression Falstaff fancy feel genius of Shakspeare ghost give Greek Hamlet heart Henry Homer human humour Iago imagination impression Johnson JOSEPH WARTON Julius Cæsar king KING LEAR Lady Macbeth language Lear less literature Macbeth Malone manner mind moral murder nature never noble object observed Ophelia Othello passion perfect perhaps pieces pity play poet poetical poetry possess produced racter reader remarkable Richard Richard III Romeo and Juliet scarcely scene Schlegel seems sentiments Shak Shakspeare Shakspeare's Sophocles soul speare spectators spirit stage Steevens striking style sublime taste theatre thee thing thou thought tion tragedy tragic Troilus and Cressida truth unity Voltaire whilst whole words writers written