The Second Part of King Henry IV, Część 2

Przednia okładka
Cambridge University Press, 16 lis 1989 - 242
The author offers a new approach to the text of the Second Part of King Henry IV, which he sees as an unplanned sequel to the First Part, itself a remake of an old, non-Shakespearean play. The Second Part deliberately exploits the popular success of Sir John Falstaff, introduced in Part One; the resulting rich humor gives a comic dimension to the play that makes it a unique blend of history, morality play and comedy. Among modern editions of the play this is the one most firmly based on the Quarto. Professor Melchiori presents an eminently actable text, by showing how Shakespeare's own choices are superior for practical purposes to suggested emendations, and by keeping interferences in the original stage directions to a minimum, in order to respect, as Shakespeare did, the players' freedom.

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Spis treści

INTRODUCTION
1
PUBLICATION AND DATE
2
UNCONFORMITIES
3
THE SOURCES AND THE FAMOUS VICTORIES
7
THE HENRIAD AS REMAKE
9
REWRITING THE REMAKE
13
THE MORALITY STRUCTURE
15
THE COMEDY OF HUMOURS
18
TIME AND DISEASE
28
PART TWO ON STAGE
31
NOTE ON THE TEXT
53
LIST OF CHARACTERS
56
THE PLAY
59
TEXTUAL ANALYSIS
189
APPENDIXES
203
2 SOME HISTORICAL AND LITERARY SOURCES
217

CITY AND COUNTRY COMEDY
21
LANGUAGE
22
HISTORY
23
PSYCHODRAMA
25
3 THE FAMOUS VICTORIES
226
4 TARLTON AND THE LORD CHIEF JUSTICE
239
READING LIST
240
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Informacje o autorze (1989)

William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School. At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences. Many have served as the basis for operas, ballets, musical compositions, and films. While Jonson and other writers labored over their plays, Shakespeare seems to have had the ability to turn out work of exceptionally high caliber at an amazing speed. At the height of his career, he wrote an average of two plays a year as well as dozens of poems, songs, and possibly even verses for tombstones and heraldic shields, all while he continued to act in the plays performed by the Lord Chamberlain's Men. This staggering output is even more impressive when one considers its variety. Except for the English history plays, he never wrote the same kind of play twice. He seems to have had a good deal of fun in trying his hand at every kind of play. Shakespeare wrote 154 sonnets, all published on 1609, most of which were dedicated to his patron Henry Wriothsley, The Earl of Southhampton. He also wrote 13 comedies, 13 histories, 6 tragedies, and 4 tragecomedies. He died at Stratford-upon-Avon April 23, 1616, and was buried two days later on the grounds of Holy Trinity Church in Stratford. His cause of death was unknown, but it is surmised that he knew he was dying.

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