Art & eye-tracking: A practical guide for artists, art enthusiasts and researchers

Przednia okładka
Emotin Sp z o. o., 1 mar 2020 - 77

In the guide you will find comprehensive information on how to analyse and interpret works of art using devices that follow and register eye movements. The publication is addressed to artists, art theorists and enthusiasts who would like to design eye-tracking experiments connected with perceiving all kinds of artistic activity. Although the tradition of conducting this type of research dates back over nearly one hundred years, so far no coherent study discussing technology, methodology, and analysis of eye-tracking experiment results with reference to art, has ever been provided.


The guide is divided into six complementary parts. The first one includes a general overview of the relations be- tween eye-tracking and the history of art. The second chapter explains various techniques of conducting research and offers specification of selected devices. In the third part you will learn about – crucial for eye-tracking – the most frequent ways of determining the pupil location, as well as some problems related to proper eye-tracker calibration process. The fourth part discusses factors essential for conducting experiments correctly, which include: procedures for selecting study participants, space, interface, and instructions. The next chapter presents various kinds of data we obtain from experiments. Chapter six includes detailed instructions/scenarios for conducting eye-tracking experiments with regard to different works of art.

 

Wybrane strony

Spis treści

Introduction
8
Various research techniques Mobile and stationary
19
Difficult beginnings Hypothesis Space
34
Analysis
41
Where to start? Preparing the space
51
Appendices
62
Footnotes
69

Kluczowe wyrazy i wyrażenia

A. L. Yarbus abstract art accuracy and precision Appendix II Appendix Art and museum artistic Attention maps Statistical Body position bright pupil Calibration points cornea dark pupil developed by ŁK District Museum drawing by AC electrooculography Emotin Sp eye movement activity Eye Tracker Eye Tracking eye-tracking experiment eye-tracking research eye-tracking tests fixations Font Software gaze points Golan Levin Heat maps Attention Hypothesis Space Participants Imagia infrared light interface Jan Evangelista Purkinje kierunku neurokognitywnej teorii kymograph laptop Look at Pictures Łukasz Kędziora maps Attention maps maps Statistical analysis Metrics Heat maps microsaccades Mobile and stationary mobile headset mobile remote Museum in Toruń museum projects neurokognitywnej teorii obrazu Number of cameras parallax photo by ŁK photographs Piotr Francuz Preparing the space Purkinje images Calibration redrawn by AC refers Research examples Art saccades screen smartphone space Conducting experiments Space Participants Instruction Tobii Tremor Vide visual Wilanów Palace Władysław Strzemiński

Informacje o autorze (2020)

Łukasz Kędziora, PhD graduate in art history doctoral studies at the Faculty of Humanities of Nicolaus Copernicus University in Toruń. Graduate of Adam Mickiewicz University in art history and art history with the specialisation: European cultural tourism. Founder and co-organiser of the international Scientific Meeting “Neuro-historia Sztuki?” (“Neuro-art-history?”) in Toruń. Recipient of scholarships, incl. Università della Calabria, Facolta’ di Lettere e Filosofia, ZAiKS Creativity Promotion Fund, the Ministry of Culture and National Heritage (twice), the De Brzezie Lanckoronski Foundation, Kujawsko-Pomorskie voivodship Marshall, Mayor of Toruń. Manager and researcher of grants at the Faculty of Fine Arts and the Faculty of History at NCU. The Sainsbury Centre for Visual Arts research trainee at the University of East Anglia. Author of scientific and critical texts, in Polish and English, incl. the book published in 2016 Visuality of the work of art. Evaluation of neuroaesthetics in the historical-artistic research. Co-editor of the multi-author publication Sensuality of the museum exbihibition. In 2018 conducted an inventory of the Polish Mission collection in Orchard Lake, USA. He specializes in conducting transdisciplinary research on art, using: neuroesthetics, eyetracking, neuroarthistory and biofeedback.


More: http://www.lukaszkedziora.com


EDITOR

Martyna Kowalska - an English and Polish teacher. Graduated from Nicolaus Copernicus University in Toruń with a master’s degree in English Studies, as well as postgraduate studies in teaching Polish as a Foreign Language. Enthusiast of innovative methodological solutions in foreign language education. Highly experienced in working with teens and adults at various educational institutions, incl. NCU, language schools, and own business activity. Apart from didactic work, she deals with translating, editing and proofreading of specialised, scientific and popular science texts.


ILLUSTRATOR

Aleksander Czekaj graduated from the Academy of Fine Arts in Warsaw, where he did a placement preparing him to become an academic lecturer. He studied at the Hungarian University of Fine Arts in Budapest. His areas of interest incorporate graphics, photography and painting. He actively participates in various art events and exhibitions held nationally as well as internationally (a.o. in Budapest, Warsaw, Belgrade, Lviv, Milwaukee) and his artworks belong to many private collections. Awarded the Minister of Culture and National Heritage scholarship for the best art students in 2018. Both the European Union grant in EMOTIN company, where he worked as a graphic designer, and his diploma work inspired him to develop his skills related to perception of artworks, mainly those connected to eye tracking.


Informacje bibliograficzne

TytułArt & eye-tracking: A practical guide for artists, art enthusiasts and researchers
AutorŁukasz Kędziora
RedaktorMartyna Kowalska
Autor ilustracjiAleksander Czekaj
WydawcaEmotin Sp z o. o., 2020
ISBN8395626010, 9788395626012
Liczba stron77
  
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