Stars and Stardom in French Cinema

Przednia okładka
Bloomsbury Publishing, 1 lis 2000 - 288
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French cinema is second only to Hollywood in the number of its movie stars who have emerged to achieve international fame. France is, in fact, arguably the only country other than the United States to have an international "star system." Yet these glamorous and charismatic stars differ from their U.S. counterparts in that they maintain more freedom to control their own images and often straddle both mainstream and auteur cinema.Ginette Vincendeau, a leading authority on French cinema, analyzes the phenomenon of French film stardom and provides brilliant in-depth studies of the major popular stars of the French cinema: Max Linder, Jean Gabin, Brigitte Bardot, Jeanne Moreau, Louis de FunFs, Jean-Paul Belmondo, Alain Delon, Catherine Deneuve, GTrard Depardieu, and Juliette Binoche. This volume analyzes these stars' images and performance styles in the context of the French film industry, but also in relation to national culture and society. In the country where Brigitte Bardot and Catherine Deneuve have modeled for Marianne (the effigy of the Republic) and left-wing politicians have held up Jean Gabin as a role model, Vincendeau examines the unusual relationship between French film stars and national identity.Ginette Vincendeau is professor of film studies at the University of Warwick. She is the author and editor of a number of books on cinema.
 

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Spis treści

Chapter 1 The French Star System
1
the worlds first film star
42
from workingclass hero to godfather
59
the old and the new what Bardot meant to 1950s France
82
New Wave new stars
110
le gendarme et les cinéphiles
136
one smiles the other doesnt
158
from ice maiden to living divinity
196
the axiom of contemporary French cinema
215
the face of neoromanticism
241
Bibliography
253
Index
263
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Informacje o autorze (2000)

Ginette Vincendeau is Professor of Film Studies at King's College London . She is the editor of the BFI/Cassell Encyclopedia of European Cinema, and the author of The Companion to French Cinema (BFI/Cassell 1996) and Pépé le Moko (BFI, 1998).

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