Boom and Bust: American Cinema in the 1940s
University of California Press, 23 lis 1999 - 571
Boom and Bust traces the movie industry through the momentous decade of the 1940s. It discusses changes in the structure of the studio system—including the shift to independent production—and the dominant stars, genres, and production trends through the period.
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The Motion Picture Industry in 194o1941
The Hollywood Studio System in 194o1941
Prewar Stars Genres and Production Trends
The Motion Picture Industry During World War II
The Hollywood Studio System 19421945
Wartime Stars Genres and Production Trends
The Office of War Information
Documenting the 194os
Television and Hollywood in the 194os
Experimental and AvantGarde Cinema in the 194os
Total Number of Theaters in the United States 194o195o
Exhibitors Poll of Top Ten BoxOffice Stars 194o1949
National Board of Review 194o1949
Inne wydania - Wyświetl wszystko
A-class Abbott and Costello actors Agee American antitrust April audience August Betty Grable Bing Crosby Bogart box-office Breen British broadcast Cagney Capra cinema CITIZEN KANE combat film comedy contract critical Crosby Daily Year Book December director documentary drama early 194os effort exhibitors fact February Film Daily film noir film's filmmaking first-run Frank Capra genre Goldwyn Guild Hellinger Hollywood Studio HUAC IATSE independent industry's James Agee January 194o June labor late major studios March MGM's MILDRED PIERCE military million Motion Picture Herald Motion Picture Industry movie industry musical Nazi newsreel October output overseas Paramount percent political postwar prewar production profits propaganda radio release revenues role Schary screen script Selznick semidocumentary September social story strategy studio system success talent television theaters thrillers United Universal UW—M Variety Wall Street Journal Wanger war-related Warner Bros wartime World York Zanuck
Strona vii - USC; the Harry Ransom Humanities Research Center at the University of Texas...